Largely, it’s made possible as pull-to-refresh replaces a refresh button. As an additional benefit, tweets are no longer squished between a compose bar and a title bar, increasing the number of tweets and the amount of text that can be displayed on your iPhone. Reintroducing these controls above the timeline on the iPhone (Twitterrific 2 had a tab bar) makes sense once you realize that the unified timeline can be turned off, and that visual simplicity is maintained in the landscape orientation on the iPad. On the iPhone, Favorites are tucked underneath your avatar, whereas Favorites are added to the row of buttons on the iPad. No longer buried behind a back button on the iPhone, All Tweets, Mentions, and Messages have been grouped above your Twitter feed in a simple row. In contrast to colored entries and standard rectangular iOS elements, it is typography, floating buttons, and rounded corners that are pervasive in the new Twitterrific. It’s both instantly recognizable and obviously different. Twitterrific 5 presents itself dressed in black with Helvetica accents and familiar shades of orange and blue for mentions and messages. No text hangs off the screen - no “ CTURES” as Federico and I will joke. Thankfully, Twitterrific 5 is as much of an iOS app as it ever was. And it’s one I’ve seen echoed on Twitter as I watched the tweets scroll by. Like Track 8.” It’s an absolutely fair assessment. Sharing the first pic of Twitterrific 5 with my coworkers resulted in an immediate, “Wow.” After a few more screenshots, “That looks like a Windows 8 app. The Iconfactory’s latest iteration of their famed Twitter client is shockingly different isn’t it? The same gut reactions I watched unfold on Twitter could not better describe the same gut reactions I had when I first saw just how striking the new interface is. Alas, it was bound to leak, unsurprisingly by Apple’s Japanese App Store. It’s been fun to watch Twitter’s reaction to an app that I, and other writers, wanted to surprise the world with.
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